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A view of Kyoto (Fushimi Inari Taisha, the Senbon Torii)
Food Culture

Seasonings of Kyoto

White miso, and black shichimi.

If you are visiting Arashiyama, Gion and Uji, this is the region you are in.

Fushimi Inari Taisha, the Senbon ToriiPhoto: Luka Peternel / CC BY-SA 4.0

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Iio Jozo Junmai Fujisu Rice Vinegar (飯尾醸造 純米富士酢)
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Hara Ryokaku Kuro Shichimi (原了郭 黒七味)
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Hara Ryokaku Kuro Shichimi (原了郭 黒七味)
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Kyoto's white miso uses a large proportion of rice koji, goes easy on the salt, and is brewed for only a short time. The sweetness comes forward and the color stays pale. Plenty of households still make their New Year zoni with this miso.

What finishes a dish here is the condiment. In Gion there is a spice shop running since the mid-Edo period, where a black shichimi, roasted and ground, has been handed down. Head north and you reach the Tango coast, where there are breweries making vinegar from rice. The capital's cooking was built by gathering materials from both the mountains and the sea.

Why Kyoto's seasonings taste light

Kyoto's seasonings are pale in color and sweet. The white miso, of which Saikyo Miso is the best-known example, has a bright milky color and a soft sweetness. The sweetness comes down to the amount of koji (the fermentation culture Aspergillus oryzae). It is brewed with roughly twice as much rice koji as soybeans, which is why it is called 20-wari koji, or double koji. More koji means the salt can be kept low, so the sweetness of the rice comes ahead of any saltiness.

The short aging period is the other reason it finishes white. Color deepens the longer something sits, so a short aging keeps the pallor. The same logic applies to shoyu: Kyoto cooking, which works to show off the color of its ingredients, uses usukuchi (lighter in color, higher in salt). Worth noting that usukuchi is only lighter in color; its salt content is actually higher than koikuchi.

Old houses of vinegar and shichimi

In Miyazu, in northern Kyoto Prefecture, vinegar made from rice alone has been handed down. Some breweries grow the rice themselves in their own paddies, keeping alive a way of making vinegar that takes considerably more work than usual.

In Gion, alongside ordinary shichimi, they have long made something called kuro shichimi, black shichimi. The ingredients are roasted and worked by hand, which turns the color black and lifts the aroma. Kyoto's shichimi, counting the shop on the approach to Kiyomizu-dera, is one of Japan's three great shichimi.

Local dishes and their seasonings

Shiro Miso no Zoni (白味噌の雑煮)
Kyoto's New Year zoni puts round mochi into a sweet broth of dissolved white miso. It is one of the few uses where the sweetness of Saikyo Miso is the point of the dish rather than a background note.
Saikyo-yaki (西京焼き)
Fish is marinated in a bed of white miso mixed with sake and mirin, then grilled. The sweetness of the koji works into the flesh, and because it burns easily the heat needs watching.

Makers in Kyoto

Stories from this area

Kuro shichimi vs. shichimi togarashi: why roasting and rubbing turns it black
How kuro shichimi differs from ordinary shichimi togarashi. Why roasting and rubbing the ingredients darkens the color, how it is built for aroma rather than heat, and the single-heir craft carried on for three hundred years at Hara Ryokaku in Gion.
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Why Do Rice Vinegars Cost So Differently? Junmai Fujisu of Miyazu, Kyoto, and the Answer of Rice
Why two bottles labeled the same way sit at very different prices. We look at the amount of rice the JAS standard requires, at the vinegar Iio Jozo makes in Miyazu, Kyoto, starting from its own rice paddies, and at how to pick a good rice vinegar.
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Saikyo miso vs. Sanuki shiro miso | which to use for which dish
A side-by-side look at Kyoto's Saikyo Miso (founded 1830, a house that once supplied the Kyoto Imperial Palace) and Sanuki shiro miso from Kagawa. Salt at about 5% against 5 to 6%, koji ratios, and whether you can substitute one for the other in Saikyo-zuke, white miso zoni and sumiso-ae.
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Nearby prefectures

See all of Kansai →